Fujifilm erhält "Technik-Oscar" für 35mm-Kopiengüt

[cinerama]

"Oscar" 2010 für Fujifilm - was die Güte der 35mm-Serienkopierung dramatisch verbessern wird:

 

FUJIFILM Corporation has announced that the Academy of Motion Picture Arts and Sciences has selected FUJIFILM Corporation to receive an Academy Award® on February 20, 2010, in the Scientific and Engineering category.

 

The award is being given in recognition of the significant picture quality and workflow improvements made possible in the moviemaking process through the development of Fujicolor ETERNA-RDI, the first motion picture film in the world designed specifically for use in converting digital image data to negative film. The award is given in the name of FUJIFILM Corporation as well as in the names of Ryoji Nishimura, Masaaki Miki and Youichi Hosoya, the three Fujifilm engineers who designed and developed the product.

 

Today the use of digital technology in the making of motion pictures, especially in the editing and visual effects process, is widespread; yet the majority of movie theaters still present on silver halide film. To bridge this digital/analog gap the moviemaker must convert the digital master to intermediate film. However, since no intermediate film had been specially designed for this application there had been a large disparity in image quality between the digital master and the film reproduction, resulting in a strong industry demand for something better. In 2007, Fujifilm answered that demand, introducing ETERNA-RDI -- the first specialized film for digital recorder output that dramatically improved the image quality of film recording.

 

ETERNA-RDI offers a significant improvement over intermediate films not specifically designed for digital reproduction, producing fine detail and accurate color from digital image data. In order to achieve high picture image quality Mssrs. Nishimura, Miki and Hosoya developed two proprietary technologies, Super Nano Cubic Grain Technology and Super Efficient Light Control Technology, and worked to ensure that the technologies would complement and enhance each other. As a result ETERNA-RDI can faithfully reproduce even the most challenging high contrast images. This contributes to the printing of sharp, crisp images and makes it possible to achieve rich images that convey a strong sense of depth and dimension.

 

ETERNA-RDI Features

Revolutionary Image Blur Reduction

Laser-created high-detail digital images that could not be reproduced on intermediate film can be reproduced on ETERNA-RDI. Ordinarily, when the intensities of lines and text contrast strongly with those of their surroundings, thin lines become thinner and disappear, and fat lines are blurred. This makes the reproduction of details difficult. With ETERNA-RDI, even the highlighted areas of high-contrast images can be reproduced with very high similarity to the original image.

 

Faithful Tone and Color Reproduction

ETERNA-RDI widens the range of expressible densities. ETERNA-RDI reduces image irregularities even in highlighted areas, makes the expression of darker shadowed areas richer, and increases resolution. The combination of these factors leads to tone reproduction that conveys an intense sense of depth. Furthermore, while the reproduction of original colors at the edges of the color range was difficult in the past, ETERNA-RDI is capable of reproducing these colors faithfully.

 

Improved Lab Handling

In the post-production phase accurate reproduction in the film development process is the goal. It takes a few seconds to record a single frame; this means that for a single 2000-ft roll the time between when the film is exposed and when it is developed is 15 hours or more. When using conventional intermediate film, this long duration causes color discrepancies between the top frame and the last frame in long reels of film and requires additional lab hours to correct the discrepancies. The superior photographic stability of ETERNA-RDI maintains true color reproduction from the top to the last frame, thereby reducing lab workload.

 

 

Aus: http://www.fujifilm.com/products/motion...15_01.html

http://www.fujifilm.com/products/motion...terna_rdi/

http://www.fujifilm.com/products/motion..._vol13.pdf

 

In den Worten der Academy of Motion Picture Arts and Sciences:

 

The Fujicolor ETERNA-RDI Type 8511/4511 digital intermediate film has thinner emulsion layers with extremely efficient couplers made possible by Super-Nano Cubic Grain Technology. This invention allows improved color sensitivity with the ability to absorb scattered light, providing extremely sharp images. The ETERNA-RDI emulsion technology also achieves less color cross-talk for exacting reproduction. Its expanded latitude and linearity provides superior highlights and shadows in a film stock with exceptional latent image stability.

Aus: http://www.oscars.org/awards/scitech/winners.html/

 

In Verbindung sogar mit einer 4K-Ausbelichtung und annähernd hoher Printgüte darf man den 2k-DCI-Roll-out endgültig ad acta legen.

 

Auch dürfte das RDI-Intermed-Negativ massiv auch auf das Technicolor-3D-Vorhaben einer 35mm-Verwertung von 3D-Blockbuster-Filmen einwirken - sodass Film soweit die Nase vorn hat, dass der Verabschiedung von DCI-"Kino"-Standards nur noch mit Verwunderung begegnet werden kann.

Es ist hier von einem dramatischen Anstieg der Schärfe und Farbtreue in der 35mm-Kinoserienkopierung die Rede, an der schon aufgrund der Potentiale des 35mm-Positivmaterials (200 - 550 Linien pro Quadratmillimeter möglich, abhängig vom Objektkontrast und Quellformat der Filmkopierung) kein Zweifel bestehen kann.

 

Dies ist in Relation zum 2K-DCI-Kino mit einem Pixelraster von 2048 x (max.) 1080 [zumeist nur 858] zu bringen, um Skeptikern die Augen zu öffnen.